Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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German Hilaire Edgar
Portrait of Anna Charlotte Dorothea von Medem with daughters Wilhelmine and Pauline

ID: 83571

German Hilaire Edgar Portrait of Anna Charlotte Dorothea von Medem with daughters Wilhelmine and Pauline
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German Hilaire Edgar Portrait of Anna Charlotte Dorothea von Medem with daughters Wilhelmine and Pauline


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German Hilaire Edgar

1834-1917 Impressionism,Frechen   Related Paintings of German Hilaire Edgar :. | Stonebreakers at Lungotevere | Vase of Flowers sf | Street Scene, Macao, with Pigs | The Lacemaker (detail) wet | magnus stenbock vid halsingborg |
Related Artists:
Alexey Danilovich Kivshenko
painted Michail Illarionovich Kutuzov in 1880
Sir Frank Dicksee
1853-1928 English Sir Frank Dicksee Location English painter and illustrator. He studied in the studio of his father, Thomas Francis Dicksee (1819-95), who painted portraits and historical genre scenes; he then entered the Royal Academy Schools, London, where he was granted a studentship in 1871. He won a silver medal for drawing from the Antique in 1872 and a gold medal in 1875 for his painting Elijah confronting Ahab and Jezebel in Naboth Vineyard (untraced), with which he made his debut at the Royal Academy in 1876. He also began to work as an illustrator during the 1870s, contributing to Cassell Magazine, Cornhill Magazine, The Graphic and other periodicals. During the 1880s he was commissioned by Cassell & Co. to illustrate their editions of Longfellow Evangeline (1882), Shakespeare Othello (1890) and Romeo and Juliet (1884).
Richard Earlom
English Printmaker, 1743-1822,English printmaker. Taught by Giovanni Battista Cipriani, he worked in mezzotint, etching and occasionally stipple. His mezzotints of flowers and still-lifes, such as Roses for the Temple of Flora (1805) by Robert John Thornton (?1768-1837) or the Fruit Piece (see Wessely, no. 145) after Jan van Huysum, are also found printed in colours or coloured by hand. Earlom's most influential prints were a set of outline etchings combined with mezzotint of the volume, then belonging to the Dukes of Devonshire, of Claude's drawings of his own landscape paintings






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